For Teachers
Harold Clurman and The Group Theatre:
A Celebration and a Call to Action
| Part I & II | Part
III | Part IV | Part
V | Additional Materials | Student & Teacher Feedback |
Educational Guide - Student
& Teacher Feedback
INSTRUCTOR RESPONSE FORM
Dear Instructor:
Thank you for the time you have spent reviewing and/ or utilizing these
materials in your classroom. Your feedback is very important to us and
will be extremely useful as we continue to expand and improve our outreach
efforts. Please take a few moments to answer the questions below and
encourage your students to do the same, using the Student Response Form
provided. As you will notice, several of the questions on the student
form echo those asked in the list at the end of the packet. We hope the
questions helped to stimulate an exciting classroom discussion and that
your students will take this opportunity to attempt to synthesize and
articulate their discoveries.
To save you time and trouble, we have enclosed an addressed stamped
envelope with this packet so you can return the forms to us once they
have been completed.
If you did not receive these materials by mail, you may visit our website
at www.clurmantheplay.com and submit your feedback online.
Thank you so much for your support of this important project. To effectively
reach out to students, we need to know more about what touches them, what
interests them, and what they already know. Your input, along with theirs,
will be absolutely
instrumental in shaping our future efforts, along with the form and content
of this packet.
Sincerely yours,
Laura Gale, packet author and production dramaturg
Ronald Rand, actor/ playwright of LET IT BE ART! Harold Clurman's Life of Passion
QUESTIONS:
1. Is there a class at your school that examines the history and impact
of The Group Theatre and the teachings of Harold Clurman?
2. Why do you think that these topics are so rarely taught and that, consequently,
many young theatre professionals are unaware of The Group Theatre’s
history, philosophies, and contributions to their craft?
3. What, in your opinion, are the most important components of a curriculum
that prepares theatre students for the artistic and business-related
challenges of the theatre profession today? Do you think this ideal curriculum
resembles what is typically taught in training programs?
4. How important and useful do you feel a knowledge of theatrical history
and tradition is for young theatre professionals? Please discuss.
5. Which aspects of the material did your students respond most enthusiastically
to? Which sections of the packet did you find the clearest, most interesting,
and/or easiest to present?
6. Which sections could be improved? How could the form and/or content of the
Clurman packet be altered to make it more teacher-friendly or more accessible
and engaging for your students?
7. If you attended a performance of LET IT BE ART! Harold Clurman's Life of Passion, please discuss your response
to the play and your impression of how it affected your students. Please
feel free to include any other comments about the play and the post-show
discussion.
STUDENT RESPONSE FORM
Dear Student:
These materials were created especially for you. Our goal is to introduce
you to some of the most influential and inspirational figures of the
20th century American theatre; these are the men and women whose ideas
and teachings have defined your notions of what acting is and your understanding
of theatrical process. We would find it absurd if music students had
never heard of Bach or Beethoven; in much the same way, it is vital for
theatre artists to know of Harold Clurman and the actors, directors,
and playwrights of The Group Theatre, who led the way in our discipline.
Their determination, idealism and passion can inspire us all as we move
forward to create the theatre of tomorrow, which it is up to you and
your generation to lead.
Please take a few moments to respond to the questions below, including
any feedback that you feel might improve these materials on The Group
Theatre and
Harold Clurman. We also want to know what has peaked your interest and what
you’d like to learn more about. It is your input and your interests that
will directly shape our future efforts and help us to improve these materials.
Thank you so much for your time and honesty.
Sincerely yours,
Laura Gale, packet author and production dramaturg
Ronald Rand, actor/ playwright of LET IT BE ART! Harold Clurman's Life of Passion
QUESTIONS
1. Before seeing LET IT BE ART! Harold Clurman's Life of Passion and/ or discussing these materials class, what
did you know about Harold Clurman, The Group Theatre, and The Group’s
impact on the American theatre? What was the source of your previous
knowledge (i.e., Had you learned about it in class? Through independent
research?)? Please explain.
2. Which aspects of this material have caught your interest? In light of what
you’ve learned about The Group Theatre, who or what would you like
to learn more about? Why?
3. Do you feel you know how to go about finding more information on
the topics you’d like to further investigate? What books might
you read? What films are you interested in seeing or watching again more
closely?
4. Which sections of the material did you find the most interesting?
Which sections interested you the least?
5. What would be the most interesting way teachers could present this material
to make it clear, interesting, and engaging for theatre students?
6. Has anything you’ve learned widened your sense of possibility as a
theatre artist or added to your sense of connection to a theatrical heritage?
Please discuss.
7. If you attended a performance of LET IT BE ART! Harold Clurman's Life of Passion, please discuss your response
to the play and post-show discussion. Was your experience a valuable
one? Please let us know.
| Part I & II | Part
III | Part IV | Part
V | Additional Materials | Student & Teacher
Feedback |
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